Panasonic Lumix G Vario 100 300mm Ii Review
Panasonic Lumix G Vario 100-300mm f/four-v.6 OIS II REVIEW
Panasonic Lumix G Vario 100-300mm f/4-5.6 OIS II REVIEW
32
Later on a year using the Lumix 100-300 Ii, it's time for a long term review. Reason I needed one year to review this lens is, It's the offset super telephoto lens I've used. And, after using it for activity/sports, BIF and wildlife, I at present know this lens inside and out.
Get-go the Common Stuff nearly this lens that can be constitute online:
one) As you know this 100-300mm lens is equivalent to a 200-600mm FF with the 2X ingather cistron of MicroFourThirds cameras.
2) All the Specifications of the 100-300 II lens.
three) The difference betwixt original version, and this new 100-300 version II.
Adjacent the Pros of this lens:
1) Great Value for what y'all get vs the other options out there.
two) Minor, Light, and compact for its huge accomplish.
3) With the new cameras like Lumix G9, the AF and DUAL IS piece of work slap-up.
4) Image quality is on par with high terminate super telephotos for almost of its range.
5) Great selection for 4K video, and static shots of moving objects.
6) durable plastic absorbs the bumps and bruises well, and it did well in the rain without any harm to the performance of the lens.
The following is a video using this lens for wildlife:
The main reason I got this lens was to explore wildlife photography and video with the Lumix G9. And the 100-300 2 does a great job for the price. The AF using 1 surface area or single point is very fast and accurate with this lens. As seen in the to a higher place video, this lens can be used paw held at twilight earlier sunrise. Even with a slow aperture like f/5.6 the DUAL IS of the Lumix G9 with the stabilization of the lens will allow ISOs of 1600 or 800 with shutters down to 1/650 and even lower when it's paired with a Dual IS body. And that for me fabricated a huge departure getting stable video and long shots at twilight. I'm using exposure settings I could never get away with using a DSLR and lens one/2 information technology's reach. For me, that was a game changer.
But like whatsoever lens, they have compromises. Next The Cons of the 100-300 II.
i) Sloppy manual focus ring. Trying to nail infinity using the distance scale of the photographic camera is very hard equally the focus point gets gummy when near the infinity mark. And I apply this for manual focus a lot for video.
ii) Focus breathing. Not much of an issue for photo. Only for video this limits a lot of close upwardly to far away focus pulls. Unless you want the consequence where the blur changes size.
3) The wideness of the 100-300 II is about 15% tighter than the Panasonic 35-100 2 at 100mm. And almost 10% tighter than the Panasonic 45-150, at the 150mm finish. Thus, this lens actual wideness at various ranges are tighter than some other lenses.
Nevertheless, Below are some pics I recently shot with the 100-300 II.
Blue Heron during the sunrise at Morro Rock
Blue Heron on the PCH at Sunrise.
Long Billed Curlew afterwards sunrise.
The Panasonic 100-300mm f/4-v.vi OIS II is a smashing lens for photo and video. It'south not the all-time lens out there, but it gets the chore done for almost 1/iii the toll. This twelvemonth, I had the chance to handle the Panasonic/Lecia fifty-200 f/2.viii-iv, and it was a much nicer lens with noticeably faster AF. And at that place is the Panasonic Leica 100-400 which is some other great lens. Both these college priced lenses have better image quality at the long end of 250 to 300mm. Merely for the shorter range of 100-200, the Pana 100-300 holds up very well to the all-time.
So that's my long term review of this Panasonic lens. I shoot a variety of styles and venues of photograph and video. Thus, this is a great meaty all around super telephoto lens that can be used without a tripod for photograph and video.
The following are more video I shot with this lens: I also try to include the camera settings when possible.
Anyway, hope this will help if you're considering this lens. Give thanks You lot.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Telephoto zoom lens • Micro 4 Thirds • H-FS100300
Appear: January four, 2017
gipas • Regular Member • Posts: 322
Re: Panasonic Lumix G Vario 100-300mm f/4-5.6 OIS II REVIEW
1
Glad to read this review, I'thou about to receive my copy of this lens 😀
Thank you for reporting your direct experience.
Thank you.
Samsung TL500 Olympus East-450 Olympus PEN Eastward-PL1 Pentax K-30 Pentax Thou-3 +three more
ToxicTabasco wrote:
The Panasonic 100-300mm f/4-5.vi OIS 2 is a bang-up lens for photo and video. Information technology's not the best lens out there, but information technology gets the task done for virtually 1/three the toll.
Owning this lens myself (using information technology on Due east-M1 Mark Two), I accept to say this basically sums it upwards. It really is a adept value for money option. I'd say it should be a go-to choice for any Micro 4/3 user that wants to venture into super tele world without breaking a bank. It'due south a natural step upward from the inexpensive 40-150 and 45-150 (both swell value lenses on their own, past the fashion)
This year, I had the chance to handle the Panasonic/Lecia 50-200 f/2.8-4, and it was a much nicer lens with noticeably faster AF. And there is the Panasonic Leica 100-400 which is some other dandy lens. Both these college priced lenses take meliorate image quality at the long end of 250 to 300mm.
I simply rented the 100-400 and can confidently say that it is a amend lens than 100-300 in every regard except the dreaded strong zoom issue. But this is in no way a critique of the 100-300 II, since the deviation in price is almost three fold.
Just for the shorter range of 100-200, the Pana 100-300 holds up very well to the all-time.
Definitely, the 100-300 Two performs very well in the 100-200 range. If I call back correctly from my tests, 150 mm is the sugariness spot and it's very precipitous corner to corner at that focal length.
One thing to note for Olympus users. Yous accept to utilize electronic shutter (♥) or EFCS (♦) bulldoze modes to avoid blurring caused by shutter shock. Users of modern Panasonic bodies (the ones using new mechanical shutter design) don't accept to worry virtually this, I guess.
Sigma DP2 Merrill Olympus PEN E-PL1 Panasonic Lumix DMC-GM5 Olympus E-M1 II OM-1 +15 more
spike29 • Senior Member • Posts: 2,461
Re: Panasonic Lumix G Vario 100-300mm f/4-five.6 OIS Two REVIEW
1
I am very happy with this lens. Signal 3 15% tighter at 100mm as the other at 100mm?
Strange. I would call up that 100mm is 100mm on any lens. gues iam naive 😀
Nevertheless it'southward a well build lens and the alternatives are less interesting.
Price wize, 100-400 or 50-200 plus tc.
75-300mm oly, on a panny not a choise because of dfd and dualis2 loss.
45-200mmii its cheap and you need to work information technology earlier it'due south evangelize. ( AF and general sharpness.)
-- hibernate signature --
knowledge is addictive, every time i get some i desire more.....
-----------------------------------------------------------------------------------------------------
(If i can recall 1/grand of everything i learned/read in the past i will be happy as a monky with........)
Panasonic Lumix DMC-FZ200 Fujifilm FinePix F70EXR Panasonic G85 Panasonic Lumix G Vario 14-140mm F3.5-5.6 O.I.S Panasonic Leica 12-60mm F2.8-four.0 ASPH +2 more
Re: Panasonic Lumix M Vario 100-300mm f/4-5.6 OIS Ii REVIEW
4
spike29 wrote:
I am very happy with this lens. Bespeak iii 15% tighter at 100mm equally the other at 100mm?
Foreign. I would think that 100mm is 100mm on any lens. gues iam naive 😀
The focal lengths on the butt about never friction match the actual focal length of the optics. And then at that place is focus animate which OP mentioned. Dissimilar lenses breath differently, but unless it's a specialist cinematics lens, there will be some of it. That means that focal length of the lens changes as the focus changes.
I was recently comparing my 100-300 II with a film era Pentacon iv/300 (with and without a speedbooster). At "infinity", field of view from both was the same. but equally shortly as I tested by photographing a discipline but iii meters from the photographic camera, the difference in field of view was immediately visible. Basically, with subject and camera in the same place, I had to set the 100-300 II to around 260mm to match the 210mm of the Pentacon with a SpeedBooster. With simple adapter and comparing both at 300mm, I had to move the Panasonic almost ane meter closer to the bailiwick to get the same framing.
I played around measuring this stuff a while dorsum. For example, Olympus 30mm Macro is around 20mm at its closest focus distance.
Sigma DP2 Merrill Olympus PEN E-PL1 Panasonic Lumix DMC-GM5 Olympus E-M1 2 OM-i +15 more
spike29 • Senior Member • Posts: 2,461
Re: Panasonic Lumix G Vario 100-300mm f/4-v.6 OIS Two REVIEW
Astrotripper wrote:
spike29 wrote:
I am very happy with this lens. Bespeak iii xv% tighter at 100mm as the other at 100mm?
Strange. I would remember that 100mm is 100mm on any lens. gues iam naive 😀
The focal lengths on the barrel about never match the actual focal length of the eyes. And and then there is focus animate which OP mentioned. Different lenses breath differently, simply unless it'due south a specialist cine lens, there will be some of it. That means that focal length of the lens changes as the focus changes.
I had to interweb it but it's sounds logic, turning lensring shifting elements for focus the focalpoint shifts abit and therefor the viewangle.
What i idea was a 12-100mm at hunderd locked would be have the same field of view as a 100-300mm at hunderd locked.
The digital "number" of "150mm" writed in the exif of the 100-300mm is i think a measurement and not a fysical fixed gearset, calibrated only with some tolerance.
I was recently comparison my 100-300 Two with a film era Pentacon four/300 (with and without a speedbooster). At "infinity", field of view from both was the same. merely as soon as I tested by photographing a discipline just three meters from the photographic camera, the departure in field of view was immediately visible. Basically, with subject field and photographic camera in the same place, I had to set the 100-300 2 to around 260mm to friction match the 210mm of the Pentacon with a SpeedBooster. With simple adapter and comparing both at 300mm, I had to move the Panasonic almost 1 meter closer to the subject to get the same framing.
I played around measuring this stuff a while back. For example, Olympus 30mm Macro is around 20mm at its closest focus distance.
Ok so a prime has 10mm bending diiference 1/iii of it'due south "sold prime number focallenght"
Wow. 🙂
-- hide signature --
cognition is addictive, every fourth dimension i get some i want more than.....
-----------------------------------------------------------------------------------------------------
(If i can retrieve ane/one thousand of everything i learned/read in the past i will be happy equally a monky with........)
Panasonic Lumix DMC-FZ200 Fujifilm FinePix F70EXR Panasonic G85 Panasonic Lumix G Vario 14-140mm F3.5-5.half dozen O.I.S Panasonic Leica 12-60mm F2.8-iv.0 ASPH +two more
Re: Panasonic Lumix Thousand Vario 100-300mm f/4-5.half dozen OIS II REVIEW
gipas wrote:
Glad to read this review, I'yard about to receive my re-create of this lens 😀
Thank you for reporting your direct feel.
Cheers.
Thank you lot. Was the lens back ordered? I had to wait about three weeks for the back order last year. Anyhow, all-time wishes with the new lens.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Give thanks you. And thank you for the info on the Olympus cameras. That should assist others who are considering this lens.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Re: Panasonic Lumix One thousand Vario 100-300mm f/4-5.6 OIS II REVIEW
spike29 wrote:
I am very happy with this lens. Point 3 15% tighter at 100mm as the other at 100mm?
Yes, that's what I expected. However, after checking out my Nikon DSLR lenses, they seem to as well take variations betwixt lenses at various focal ranges of 5 to x%.
Strange. I would think that 100mm is 100mm on whatsoever lens. gues iam naive 😀
Nevertheless it'south a well build lens and the alternatives are less interesting.
Toll wize, 100-400 or 50-200 plus tc.
Yes, that would be the optimal choice for wildilfe. In the USA, the 1.4 TC is unavailable new. But, the 2x TC is available new.
75-300mm oly, on a panny not a choise because of dfd and dualis2 loss.
45-200mmii its inexpensive and you need to work it before information technology's deliver. ( AF and full general sharpness.)
Thanks for the info on the other choice. It should help others out there who are considering this and other lenses. Much appreciated.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Re: Panasonic Lumix M Vario 100-300mm f/iv-5.6 OIS II REVIEW
Thank yous Astrotripper for that info. I had no thought why the focal lengths were dissimilar. But that makes sense, focus breathing, and the altitude inside of infinity. And of all the lenses I have the 100-300 is the longest zoom with the almost focus breathing. Now that I think near it, focus animate may have been the reason for my variations of DSLR Lenses.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
HRC2016 • Veteran Member • Posts: 6,773
Re: Panasonic Lumix G Vario 100-300mm f/4-5.six OIS Two REVIEW
ane
ToxicTabasco wrote:
3) The wideness of the 100-300 II is about 15% tighter than the Panasonic 35-100 II at 100mm. And almost 10% tighter than the Panasonic 45-150, at the 150mm end. Thus, this lens actual wideness at various ranges are tighter than some other lenses..
Anyhow, promise this will help if you lot're because this lens. Give thanks You.
By "wideness" are you referring to the field of view (FOV)?
Cheers for this detailed review and the photos.
I really like this lens. It's a bang-up value. Plus, I'grand not enlightened of copy variation, such as that seems to exist with the Panny 100-400. My re-create (of the 100-300 II) is great and I oasis't seen any complaints.
Your experience and mine bear witness that skillful technique and fieldcraft can be more important that focal length.
Thanks again!
-- hide signature --
I believe in science, evolution and light. All opinions are my own. I'm non compensated for any of my posts. Can you honestly say that?
Olympus One thousand.Zuiko ED 75-300mm ane:4.8-6.7 2 Olympus 12-100mm F4.0 Panasonic Lumix G Vario 45-200mm F4-5.6 OIS Olympus M.Zuiko Digital ED 12-50mm one:iii.five-6.3 EZ Sigma 150-600mm F5-six.3 | C +2 more
Re: Panasonic Lumix 1000 Vario 100-300mm f/4-5.half-dozen OIS II REVIEW
Thank you HRC2016. To clarify, I was referring to the focal length, or width of the view. And, the variation is between unlike lenses.
The post above past Astrotripper explains the focus breathing, and how zoom lenses can change their focal view when the point of focus is within the infinity range. I also plant those variations on my Nikon DSLR lenses.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
JosephScha • Veteran Fellow member • Posts: 6,750
Re: Panasonic Lumix G Vario 100-300mm f/4-5.6 OIS Ii REVIEW
3
Your videos are sensational, and I note that you wrote some of the music in them. Amazing.
Information technology is a pleasance to encounter the Salton Sea and flocks of Snowfall Geese, and other scenes I am unlikely to ever run into (unless I make the trip out at that place from NY).
Panasonic Lumix DC-G9 Panasonic Leica Summilux DG 25mm F1.four Panasonic Lumix G Vario 14-140mm F3.5-5.half dozen O.I.South Panasonic 100-300mm F4-5.6 II Panasonic Lumix G 42.5mm F1.seven +6 more
Re: Panasonic Lumix K Vario 100-300mm f/four-5.vi OIS 2 REVIEW
JosephScha wrote:
Your videos are sensational, and I note that you wrote some of the music in them. Astonishing.
Information technology is a pleasure to see the Salton Sea and flocks of Snow Geese, and other scenes I am unlikely to e'er see (unless I make the trip out there from NY).
Thank you JosephScha. Much appreciated.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Avian2016 • Veteran Fellow member • Posts: half dozen,611
Re: Panasonic Lumix M Vario 100-300mm f/4-5.half-dozen OIS 2 REVIEW
one
Cool review from the first hand.
I was wondering regarding my next setup for wild animals photography (birds, insects, etc.) and two options came to my narrower selection:
Pick 1: Nikon D7500 + either Nikkor AF-P DX seventy-300 VR or Tamrons 18-300/18-400.
Option 2: Panny G9 + M Vario 100-300 II
Currently I'm using Panasonic FZ1000 plus Catechism Sx70 HS for fill-in.
-- hide signature --
Cheers for watching.
Avian
Re: Panasonic Lumix G Vario 100-300mm f/iv-5.half dozen OIS 2 REVIEW
Avian2016 wrote:
Absurd review from the first hand.
I was wondering regarding my adjacent setup for wildlife photography (birds, insects, etc.) and two options came to my narrower selection:
Choice ane: Nikon D7500 + either Nikkor AF-P DX lxx-300 VR or Tamrons xviii-300/xviii-400.
Option two: Panny G9 + 1000 Vario 100-300 II
Currently I'thou using Panasonic FZ1000 plus Canon Sx70 HS for backup.
Cheers Avian2016. Those are some skilful choices. Either kit would do the job. Nevertheless, the IBIS or DUAL IS2 does give IME the Lumix G9 the edge for the long shot and for 4K video long shots. Especially for small-scale unpredictable subjects similar birds, insects, etc... Notwithstanding, if size and weight are non a problem the Nikon kit would do great with a tripod and gimbal.
What you have there is a great combo. Making a change in camera format and brand is a pregnant change, and ane that could exist costly. Thus, earlier you lot brand a option on the kit, I would recommend going to your local camera shop to handle and examination out the gear to run across how they experience, the speed and accurateness of the AF, how the stabilization feels, how the shot looks through the EVF or viewfinder, and how the button placement and egronomics experience. This would help you narrow down your selection.
Anyway, cheers and best wishes on your venture.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
Avian2016 • Veteran Member • Posts: 6,611
Re: Panasonic Lumix M Vario 100-300mm f/four-five.half dozen OIS 2 REVIEW
one
ToxicTabasco wrote:
Avian2016 wrote:
Cool review from the first paw.
I was wondering regarding my next setup for wild fauna photography (birds, insects, etc.) and two options came to my narrower choice:
Pick i: Nikon D7500 + either Nikkor AF-P DX lxx-300 VR or Tamrons 18-300/eighteen-400.
Choice 2: Panny G9 + G Vario 100-300 2
Currently I'm using Panasonic FZ1000 plus Canon Sx70 HS for backup.
Give thanks yous Avian2016. Those are some good choices. Either kit would practice the task. However, the IBIS or DUAL IS2 does give IME the Lumix G9 the edge for the long shot and for 4K video long shots. Especially for small-scale unpredictable subjects similar birds, insects, etc... However, if size and weight are not a problem the Nikon kit would do great with a tripod and gimbal.
What you lot take in that location is a great combo. Making a modify in camera format and make is a pregnant modify, and i that could be costly. Thus, before you make a choice on the kit, I would recommend going to your local camera shop to handle and test out the gear to see how they feel, the speed and accuracy of the AF, how the stabilization feels, how the shot looks through the EVF or viewfinder, and how the push button placement and egronomics feel. This would assistance you narrow downwardly your selection.
Anyway, cheers and best wishes on your venture.
Thanks for your comments.
Actually, a lighter option would be desired. Yet, I didn't discover a lot of info on using the G9/100-300 Ii for BIF.
-- hide signature --
Thank you lot for watching.
Avian
Re: Panasonic Lumix Thou Vario 100-300mm f/4-5.half-dozen OIS II REVIEW
Thanks Avian2016. At that place are some posts on the G9 and BIF on mu43 forum but non much here as some threads get deleted over a brusque fourth dimension.
Anyhow, I do use this setup for BIF when the opportunity arises. I've never had whatsoever problems using the G9 AF to switch instantly to AFC and BIF exposures when the bird takes flying, or when I come across one approaching. All the same, some people accept a hard time using the G9 for BIF, and they don't similar it. Thus, this set up is non for everyone. Some similar information technology, others don't.
Panasonic Lumix DMC-GX85 Nikon D7200 Panasonic Lumix DC-G9 Nikon D5500
drm_mhk • New Member • Posts: one
Re: Panasonic Lumix One thousand Vario 100-300mm f/4-5.6 OIS II REVIEW
I am curious nearly your statement in the "cons" section: focus point gets sticky when near the infinity mark.I am really bothered by the stickiness and considering a return through my squaretrade coverage. Would you lot expect a replacement to have this aforementioned issue? thanks
Re: Panasonic Lumix One thousand Vario 100-300mm f/four-5.six OIS Two REVIEW
1
ToxicTabasco wrote:
After a year using the Lumix 100-300 Ii, it's time for a long term review. Reason I needed 1 yr to review this lens is, Information technology's the first super telephoto lens I've used. And, after using information technology for action/sports, BIF and wild fauna, I at present know this lens inside and out.
Start the Common Stuff well-nigh this lens that can be institute online:
i) As y'all know this 100-300mm lens is equivalent to a 200-600mm FF with the 2X crop factor of MicroFourThirds cameras.
2) All the Specifications of the 100-300 II lens.
three) The departure between original version, and this new 100-300 version 2.
Next the Pros of this lens:
1) Great Value for what you get vs the other options out in that location.
ii) Small, Lite, and compact for its huge reach.
3) With the new cameras like Lumix G9, the AF and DUAL IS work swell.
four) Image quality is on par with high end super telephotos for well-nigh of its range.
five) Great option for 4K video, and static shots of moving objects.
6) durable plastic absorbs the bumps and bruises well, and it did well in the rain without any impairment to the operation of the lens.
The following is a video using this lens for wildlife:
The main reason I got this lens was to explore wild animals photography and video with the Lumix G9. And the 100-300 2 does a great chore for the price. The AF using ane surface area or single bespeak is very fast and accurate with this lens. As seen in the in a higher place video, this lens can be used hand held at twilight earlier sunrise. Even with a slow aperture like f/v.half dozen the DUAL IS of the Lumix G9 with the stabilization of the lens will allow ISOs of 1600 or 800 with shutters downwards to 1/650 and fifty-fifty lower when it's paired with a Dual IS trunk. And that for me made a huge deviation getting stable video and long shots at twilight. I'm using exposure settings I could never get away with using a DSLR and lens 1/two it's reach. For me, that was a game changer.
Merely similar whatever lens, they have compromises. Side by side The Cons of the 100-300 Two.
1) Sloppy manual focus ring. Trying to nail infinity using the altitude scale of the camera is very difficult every bit the focus indicate gets viscous when near the infinity mark. And I use this for manual focus a lot for video.
ii) Focus animate. Not much of an issue for photo. Simply for video this limits a lot of shut up to far away focus pulls. Unless you lot want the result where the mistiness changes size.
3) The wideness of the 100-300 II is well-nigh 15% tighter than the Panasonic 35-100 2 at 100mm. And well-nigh 10% tighter than the Panasonic 45-150, at the 150mm end. Thus, this lens actual wideness at diverse ranges are tighter than some other lenses.
Yet, Below are some pics I recently shot with the 100-300 Two.
The Panasonic 100-300mm f/4-5.6 OIS Ii is a dandy lens for photo and video. Information technology'south not the all-time lens out in that location, but information technology gets the job done for about 1/iii the toll. This year, I had the chance to handle the Panasonic/Lecia 50-200 f/2.8-4, and it was a much nicer lens with noticeably faster AF. And there is the Panasonic Leica 100-400 which is another swell lens. Both these higher priced lenses have better image quality at the long end of 250 to 300mm. But for the shorter range of 100-200, the Pana 100-300 holds up very well to the best.
And then that'southward my long term review of this Panasonic lens. I shoot a diversity of styles and venues of photo and video. Thus, this is a peachy meaty all effectually super telephoto lens that can be used without a tripod for photograph and video.
The following are more video I shot with this lens: I also effort to include the camera settings when possible.
Anyway, promise this will aid if you're considering this lens. Thank you.
Great images, cheers
Ricoh GR IIIx Sony RX100 Half dozen Sony a7C Olympus 12-45mm F4 Pro Sony FE 90mm F2.8 macro
Keyboard shortcuts:
F Forum M My threads
Latest sample galleries
Latest in-depth reviews
The Nikon Z9 uses a stacked CMOS sensor to power its first pro-level mirrorless camera. With firmware 2.0 now available, we've reviewed the fast-shooting stills and video camera designed to win-over Nikon's professional DSLR users.
The Monster Adapter LA-KE1 gives Pentaxians a manner to use many of their K-mount lenses with full AF on Sony E-mount mirrorless bodies. Mike Tomkins looks at how it performs.
Laowa has only appear a new 20mm shift lens, and nosotros were able to put information technology through its paces in downtown Calgary.
Rotolight's new NEO iii and AEOS two lights may be more powerful than their predecessors, but they become one step further, providing millions of colorful lighting options via a touchscreen brandish.
The new Sony 16-35mm F4 PZ is manifestly an interesting option for video work, merely we think it'southward a solid choice for photographers likewise.
Latest buying guides
What's the best camera for shooting landscapes? Loftier resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-upward several dandy cameras for shooting landscapes, and recommended the all-time.
If you're looking for the perfect drone for yourself, or to souvenir someone special, we've gone through all of the options and selected our favorites.
What'southward the best camera for around $2000? These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional person-level paradigm quality. In this buying guide nosotros've rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Most modern cameras will shoot video to one degree or another, but these are the ones we'd await at if you plan to shoot some video alongside your photos. We've chosen cameras that can take smashing photos and make it like shooting fish in a barrel to become great looking video, rather than being the ones you'd cull as a committed videographer.
Although a lot of people just upload images to Instagram from their smartphones, the app is much more than than just a mobile photography platform. In this guide we've chosen a selection of cameras that make information technology easy to shoot compelling lifestyle images, ideal for sharing on social media.
Source: https://www.dpreview.com/forums/thread/4418470
0 Response to "Panasonic Lumix G Vario 100 300mm Ii Review"
Post a Comment